FCS110 BLUE - 10.2 Dynamic Driver In Ear Monitor Earphone G10-FXA2

Description: The FCS110 proprietary dynamic drivers provides crystal-clear sound and enhanced bass with excellent depth and detail resolution. The 110 is like going to a concert and hearing your favorite act (YOU) through a semi full of PA. The sound is full and in your face. Lows are punchy and tight. The mid and upper registers are present warm and smooth. The benefit of the FCS110s proprietary 10.2mm Dynamic over the multi-driver armatures on the market is there are no electronic or comb filtering artifacts, no phase issues, and no crossover dropouts. The result is a consistent and huge soundstage from 18Hz to 20kHz. The FCS110 dynamic driver is a moving speaker, you’ll get bone induction and will feel the sound – not just hear it. This helps you to not need as much volume to do your job. It’s also a way more enjoyable listening experience. The FCS110 sounds as good as earphones costing hundreds more. It’s the best bang for the buck on the market today. It comes with a 14-day money back guarantee. If you don’t feel it’s the best $89 you’ve ever spent towards improving your performance, you pay shipping back for a full refund. The product comes with a rock solid one-year warranty. Specifications: Driver Unit: 10.2mm Impedance: 16ohms Earphone sensitivity: 107dB Noise Attenuation: 29dB Frequency Range: 18Hz - 20kHz Cable Length: 53” Plug Type: 1/8” TRS Cable Type: MMCX w/formable wires over ear Color Options: Blue, Grey, Red, Clear Hey guys, Mike Volkerding here. My primary business is Freq City Sound a regional sound lighting and staging company in Cincinnati Oh. For the last 20 years, as a side passion, I’ve been a consultant to many national and regional acts on ear monitors and wireless systems. Tolerate a few lines of bragging so we can establish that I do have a clue when it comes to stage ear monitoring. I’ve sold IEMs & Wireless Systems to Steve Winwood, Backman Turner, Stryper, and 38 Special. I’ve provided sound/staging for Styx, Kansas, Asia, Huey Lewis, and Credence. Do me a favor and look-up my company and check the clients page. I have over 10,000 players on Freq City’s in-ear monitor customer list. I’ve had good years where I’ve literally sold over a million dollars in In-Ear Monitors products. I was also the National Sales Manager for Aurisonics before Fender bought them. The Aurisonics ASGB was my creation. OK, enough blowing my own whistle and on to the reason you’re reading this epic. I get an average of hundred earphones a year from companies all around the world wanting me to sell their products on the InEarGear website. I don’t see the advantage of stocking another product that sounds the same as another. That’s why my website presents a limited number of items. A lot of the samples I receive are great but there's one little thing that aggravates me about them. A little bit too much honk in the mid-range, high-end a bit too glassy, low end flappy and not tight, or overbearing, cable feels Mickey Mouse, you get my drift. This is the second Earphone I’ve received that ended up a winner. The original product I was mailed was designed for personal listening. Obviously, a stage earphone needs to handle a lot more SPL. We worked with the manufacturer to upgrade the drivers and tweak the filters to our desired spec. Our result is totally stage worthy. The reason this one is a winner is the price point. There are two products in the same league sound and spec wise. The Fender FXA2 (Old Aurisonics Kicker) and the Future Sonics G10. Both great products at the $200 price point. The FCS110 sounds every bit as good for $89!! Let’s talk sound. Many of you that have worked with me for years and know that while I stock the multi-driver armature drivers (hearing aid-type) Shure, Westone, Fender IEMs, if you ask my opinion - I am a dynamic driver kinda guy. The FCS110 has a 10.2mm Dynamic. A dynamic driver is a full range speaker. There are no electronic or comb filtering artifacts, no phase issues, and no crossover dropouts. The driver actually moves air, so you feel the sound, not just hear it. Every frequency is there and sounds correct. By correct, ever go to hear a band where you thought to yourself, “damn – that kick drum is bad ass?” or “How does that sound guy get the vocals out front like that?” When you listen to the sound these things put out, you’ll be happy with your purchase. You’ll also wonder (but won’t say anything) why they’re so inexpensive? With all dynamic drivers, the seal or seating of the earphone in your ear canal is critical to getting 100% of the sound the earphone can produce. Included is a serious collection of tips to be certain of a proper fit. I didn’t put any money into a fancy retail package. These ears will go straight to the player’s ears (won’t be displayed on a music store shelf). My thought was to keep that twelve dollars in your wallets. Freq City Sound Warranty: I’d like to take the worry out of you trying this product. If you don’t think it’s everything I’ve spelled out (sounds like an IEM costing twice as much), send it back within 14 days and I’ll refund. You pay shipping back to me. The product itself comes with a one-year warranty.

Price: 89 USD

Location: Cincinnati, Ohio

End Time: 2024-10-27T05:19:04.000Z

Shipping Cost: 0 USD